I had opportunity to enlist the help of a professional photographer (Dale Crandall Bear) to film the host sequences where I introduce the problem and talk about the key issues.
Working with another cameraman is incredibly rewarding, but it also requires a higher level of documentation and formalization of the film concept, flow, and scenes. That meant having to put together a complete storyboard and shot list for Dale, scouting locations for each shoot, and finally writing out my lines on cue cards.
We filmed and finished those sequences two days ago (Sunday), and now I am deep in the editing cave putting everything together. Thanks for your patience. Everything is moving along, albeit delayed. Attached are some photos of the storyboard and two of the shots.
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